Art Basel Hong Kong

words JIM MORRALL

Comparing Art Basel in Basel to Art Basel Hong Kong is like, well, comparing Basel to Hong Kong.

The fittingly short, sharp tenure of this second year in Hong Kong lasted just five days. Hosted in the city’s central exhibition centre over two floors, much of Hong Kong was tellingly unaware of the volume of contemporary art installed in that space.

 

 

Those who did visit spoke of a scaling back of installation and a focus on painting, etching, photography and small sculpture. I can’t imagine there is enough room anywhere in Hong Kong to replicate Basel’s mazes of rooms dedicated to single installations that transcend us into the artist’s head. I can’t imagine, either, that the contemporary art market in Asia (or more topically, the Chinese mainland) is ready for it.

On the other hand, a couple of initiatives within the show shone a spotlight on artists from Asia.

One recurrent theme amongst them was the urban environment, nature and the human place within. Protests in favour of protecting the environment from industrialization have recently gained momentum in China, and the cities of Asia need no introduction as some of the densest conurbations in the world.

Nostalgic Chinese landscapes on closer inspection were not steep cloudy mountains and waterfalls, but polluted dense cityscapes and highways rising higher than ever into the sky. Children played in fantasy maquettes and twisted etchings of a minimized Tokyo, turning the constraints of childhood in the concrete jungle on their head. Fantasy sea creatures, clouds, a tree of life made of plumbing gear and densely repeating blobs of oil in Fibonacci patterns felt like a portrayal of a digital hyper nature. The sacred mountains and temples of Chinese lore broke free as an angry punk.

Irony and humour are immediately visible but also run deep. As the world’s most efficient industrialised communities question the result of progress, the artists mentioned here are expressing their thoughts not through expressionism or subversion, but meticulously studied motifs and honed technical skill.

 

For more on Art Basel Hong Kong see https://www.artbasel.com/en/Hong-Kong

 

 

Tags:

You May Also Like

Unseen Animal – Interview & Feature with British Artist Joe Machine

His work permeating shock and sex, Joe Machine salivates life through painting. Primarily focused ...

Zed Nelson Love Me

Zed Nelson Love Me – An Unsettling Photographic Journal

The story behind Zed Nelson Love Me book – in his own words on ...

The Sunflowers at the National Gallery – A tale of two Vincents

There are some art pairs that any art lover would die to see, these ...

London art gallery

Hochstände – The Peaceful Yet Brutal Forest

A Hochstände (also known as Ansitze) is a wooden structure used by hunters to ...

yayoi culture book

Yayoi Kusama’s 1945 to Now – Does resilience have a time limit?

words Isabel Armitage New retrospective book 1945 to Now recounts Yayoi Kusama’s burgeoning career ...

Le Crazy Horse

Le Crazy Horse – London Burlesque Supper Club

London is currently enjoying a wave of Parisian culture; we lived in Breton tops, ...